文化资本理论探源与国内外研究综述  

Review of the Origin of Cultural Capital Theory and Domestic and Foreign Research

作　　者：徐望[1] XU Wang(Jiangsu Provincial Academy of Culture and Arts,Nanjing Jiangsu 210005,China)

机构地区：[1]江苏省文化艺术研究院,江苏南京210005

出　　处：《重庆文理学院学报（社会科学版）》2019年第1期100-110,共11页Journal of Chongqing University of Arts and Sciences（Social Sciences Edition)

基　　金：国家社会科学基金项目"文化资本与消费社会双重视阈下的当代中国文化消费研究"(17CH221)

摘　　要：对于"文化资本"的理论研究,最主要的两个视角是社会学和经济学。社会学视角下,"文化资本"概念由布尔迪厄提出,将文化资本放置在社会场域中研究。继他之后,国内外学者对他的理论不断阐发深化,理论视角更加多样。经济学视角下,思罗斯比将"文化资本"概念引入经济学,用经济学逻辑解释文化资本。他的研究开辟了文化经济学的学科新方向,其对文化产业的发展起到很大的促进作用,是当前文化产业的主要研究基础。In view of the theoretical study of“cultural capital”,the two main perspectives are the sociology and economics.From the perspective of sociology,the concept of“cultural capital”was proposed by Bourdieu,placing the cultural capital in the social field.Following him,the domestic and foreign scholars have continuously elucidated and deepened his theory,and the theoretical perspective has become more and more diverse.From the perspective of economics,Throsby introduced the concept of“cultural capital”into economics and explained the cultural capital with economic logic.His research has opened up a new direction for the discipline of cultural economics,which has played a significant role in promoting the development of the cultural industry and is currently the main research foundation of the cultural industry.

关 键 词：文化资本 布尔迪厄 思罗斯比 文化经济学 

分 类 号：G05[文化科学]