“豫章沧浪亭观演《秣陵春》”集会唱和考  

Textual Research of Gatherings and Responsorial Activities about Watching and Performing Mo Ling Chun in Yuzhang Canglang Pavilion

作　　者：朱则杰[1] ZHU Ze-jie(College of Media and International Culture, Zhejiang University, Hangzhou 310028, China)

机构地区：[1]浙江大学传媒与国际文化学院,浙江杭州310028

出　　处：《井冈山大学学报（社会科学版）》2019年第1期98-102,共5页Journal of Jinggangshan University(Social Sciences)

基　　金：国家社科基金重大招标项目"清代诗人别集丛刊"(项目编号:14ZDB076);全国高等院校古籍整理研究工作委员会直接资助项目"清诗续考"(项目编号:1362)

摘　　要：清代诗人集会唱和是一种十分普遍的文学现象,有许多问题值得探讨。特别是那些重要、著名的集会唱和,其本身具有比较突出的特色,在诗歌史上有过比较大的影响,自然更加应当引起学界的关注。然而学术界在这方面研究甚少,需要不断地拓展与深入。通过对清初"豫章沧浪亭观演《秣陵春》"集会唱和的研究,对它发生的时间和地点、召集的主人和参加的人物、创作的作品以及产生的影响等,做一些基本的考索,同时纠正若干相关的错误。As a common literary phenomenon in Qing Dynasty, the gathering and responsorial activities of poets are worthy of deep exploration, the distinctive or influential gathering in particular. The present paper is devoted to a basic research on gatherings and responsorial activities about watching and performing Moling Chun in Yuzhang Canglang Pavilion. Researches have been conducted on the time and place, the main poets and their literary works of involved in the gathering and few mistakes on the subject have been corrected.

关 键 词：清诗 集会唱和 南昌 李明睿 《秣陵春》 

分 类 号：I207.22[文学—中国文学]