唐宋词同调异名的审美意蕴  

The Appreciation of Arts of Ane Rhythm with Various Names in Tang and Song Ci

作　　者：成烨[1] 王育红[1] CHENG Ye;WANG Yu-hong(School of Liberal Arts,Nantong University,Natong226019,Jiangsu,China)

机构地区：[1]南通大学文学院,江苏南通226019

出　　处：《喀什大学学报》2018年第4期63-67,共5页Journal of Kashi University

基　　金：课题"近六十年来中国古籍出版研究"(15BTQ032)的成果之一

摘　　要：唐宋词中近三分之一的词调存在同调异名(一调多名)现象,即一个词调除通用名外另有一二别名,有的甚至多达十几、二十个。词人修改调名,归根结底源自其不同的文化心理或词学理想。而改易后的调名也在不同程度上使得"名实统一"的词学传统复归,抑或捍卫了词"雅致动听"的传统。不少改易后的调名逐渐替代本名,成为其正名。The phenomenon of various names with the same rhythm is common in one of three of Tang and Song Ci, which means a rhythm can have up to over twenty other names except its original name. Poetries name their poems multiply with different names because of their diverse cultural thoughts and poem dreams.And in benefit of these simplified names the‘content following name’tradition has returned. In another way it defends the ‘rhythmed and elegant’tradition of poems. Many simplified poem names took place of their original names and become the real one.

关 键 词：唐宋词 同调异名 审美意蕴 

分 类 号：I207.23[文学—中国文学]