改革开放以来中国农民工电影阶段研究——基于农民工阶层的社会研究视角  

Research on the Film Stage Division of Chinese Migrant Workers Since Reform and Opening-up: Social Research Perspective Based on Migrant Workers' Class

作　　者：袁一民[1] YUAN Yimin(Radio and Television Editorial Department, Sichuan University, Chengdu, Sichuan 610000, China)

机构地区：[1]四川大学广播电视编导系,四川成都610000

出　　处：《宜宾学院学报》2019年第1期111-118,共8页Journal of Yibin University

摘　　要：农民工题材电影在中国现代化的想象和现实构架理解中占有重要位置。改革开放以来,以农村劳动力在城市化转移过程为参照,农民工题材电影经历了农民工城市身份的切入、搭建和融合的三个历史阶段。这样的阶段划分更能体现出农民工城市逐步融入的现状,以及中国电影在其中进行的深刻的艺术投射和价值思考。The movies about migrant workers occupy an important position in the understanding of the imagination and realistic framework of China’s modernization.Since the reform and opening-up,referring to the process of urbanization transfer of rural labor force,the movies about migrant workers have experienced three historical stages:the entry,construction and integration of migrant workers’urban identity.Such a division of stages can better reflect the status quo of the gradual integration of migrant workers into cities,as well as the profound artistic projection and value thinking of Chinese movies in it.

关 键 词：农民工题材电影 农民工文化身份构建 异化与归化 

分 类 号：J905[艺术—电影电视艺术]