梅兰芳绘画艺术的美学品格和形式特征  

The Aesthetic Character and Formal Features of Mei Lanfang's Painting Arts

作　　者：陈池瑜[1,2] Chen Chiyu(Academy of Arts and Design,Tsinghua University;Research Institute of Chinese Art Theory,Beijing,100084)

机构地区：[1]清华大学美术学院 [2]中国艺术学理论研究所

出　　处：《民族艺术研究》2019年第1期98-103,共6页Ethnic Art Studies

摘　　要：梅兰芳是我国现代著名京剧表演艺术家,同时他还是一位知名国画家,他创作的人物画和花鸟画具有清丽雅致、潇洒自然的美学品格与形式特征。梅兰芳1915年跟随王梦白学画,后又结识北京画坛的重要画家陈师曾、金城、姚华、陈半丁、齐白石等,他们在梅兰芳家经常相聚创作绘画作品,梅兰芳喜爱书画艺术,并细心体会绘画中的色彩与构图布局,认为绘画的这些形式美特征和戏曲艺术有息息相通的地方,可以启发戏剧表演。Mei Lanfang is a famous Chinese modern Peking opera artist,meanwhile,he is also a well-known traditional Chinese painter.His paintings of figures and flower-birds are of elegant,unstrained and natural aesthetic character and formal features.Mei Lanfang learnt painting from Wang Mengbai in 1915,and then learnt from other important painters in Beijing such as Chen Shizeng,Jin Cheng,Yao Hua,Chen Banding and Qi Baishi,who often created art works in Mei Lanfang’s house.Mei Lanfang is obsessed with calligraphy and painting,and he paid attention to experience the color and composition of the painting,thinking that the formal beauty of paintings is similar to that of opera art so that painting can illuminate on opera performance.

关 键 词：梅兰芳 北京现代国画 花鸟画 人物画 

分 类 号：J203[艺术—美术]