从《全金元词》和《全元散曲》重收篇目探究词曲递变  

Exploration on the Alternate Changes of Ci to Qu from the Recollected Works of Ci Collection of Jin and Yuan to Yuan Qu Collection

作　　者：刘书言 LIU Shu-yan(College of Liberal Arts,Guangxi Nomal University,Guangxi,Guilin 541000,China)

机构地区：[1]广西师范大学文学院,广西桂林541000

出　　处：《河北广播电视大学学报》2019年第1期40-48,共9页Journal of Hebei Radio & TV University

摘　　要：宋词的词乐在元代逐渐散逸,元曲逐渐取代宋词,二者同属于音乐文学,亦同属于古典律诗体的长短句形式,因此在元代以来出现了词与曲在文体上混淆的现象,并且从《全金元词》和《全元散曲》中发现一些重收篇目,从这一现象中可以看出调牌在继承发展过程中发生了一些变化,格律的变化、通用语言发音的不同、民间歌曲与文人歌曲的融合等是产生这种变化的原因。从重收现象出发探究词曲递变问题,一方面能够进一步区分词与曲的不同,另一方面能够认识词曲递变问题。The music of the Song Ci gradually dissipated in the Yuan dynasty,and the Yuan Qu gradually replaced the Song Ci.Both can be identified to the music literature and classified as the form of long and short lines of classical verses.Therefore,since the Yuan dynasty,there appeared the phenomenon of confusing format of Ci with Qu.Some recollected works are found from the Ci Collection of Jin and Yuan and Yuan Qu Collection,from which we can see the changes of Ci tunes in the process of inheritance and development.The changes in the rhythm,the differences in the pronunciation of the common language,the fusion of folk songs and literati songs are the reasons for this change.From the phenomenon of recollected works,it is possible to further explore the alternate changes from Ci to Qu,on the one hand to classify the differences between the Ci and Qu,and on the other hand,to understand the alternate changing process from Ci to Qu.

关 键 词：词 北曲 调牌 递变 

分 类 号：I207.3[文学—中国文学]