地方、政治与声音景观:近代陕北民歌的传播及其演变  

Locality,politics and soundscape: Diffusion and evolution of Shaanbei folk song in early modern times

作　　者：张晓虹[1] ZHANG Xiao-hong(Fudan University, Shanghai 200433, China)

机构地区：[1]复旦大学,上海200433

出　　处：《云南大学学报（社会科学版）》2019年第2期36-46,共11页The Journal of Yunnan University:Social Sciences Edition

基　　金：教育部人文社科重点研究基地重大项目"中华文明核心地区形成的时空过程及其驱动因素研究"(项目号:16JJD0009)

摘　　要：缘起于音乐学研究的声音景观,由于关注声音与环境之间的关系,强调声音在地方文化建构中的作用与意义,因此成为研究人地关系的重要内容。通过对近代中国重要的声音景观——陕北民歌的传播历程进行梳理,作者发现,陕北民歌由一个与陕北地方关系密切的声音景观,在演变成为中国革命的文化符号后,随着中国革命的胜利其地域分布迅速扩展到全国。在这一过程中,陕北民歌表面上与陕北地方之间的关系渐行渐远,但实质上,藉由唤起人们对中国革命圣地这一地方意象的记忆,陕北地方在陕北民歌地域扩展过程一直存在着或隐或现的关联。Soundscape as a conceptual category and a key part in the study of the relationship between music and its environment originated from music study, focuses on the relationship between sound and environment, and further emphasizes the function and significance of sound in constructing the local culture. Probing into the diffusion of Shaanbei folk song in early modern China, the author finds that Shaanbei folk song as the soundscape closely related to Shaanbei locality transformed into a cultural symbol of the Chinese revolution when the Communist Party of China built up the base area in Shaanbei region. Furthermore its distribution expanded to all parts of China as the Communist Party of China achieved success. It seems that the link between Shaanbei folk song and Shaanbei region has gradually weakened in this process. However, this link to its original locality has always retained its potential within the soundscape as it spreads across China due to the embedded image of Shaanbei as the sacred place of the Chinese revolution.

关 键 词：地方 声音景观 陕北民歌 地域扩散 

分 类 号：K901.9[历史地理—人文地理学]