明朝前期的骚体赋  

The Fu of Sao Type in the Early Ming Dynasty

作　　者：牛海蓉[1] 杜晴雯 NIU Hairong;DU Qingwen(College of Chinese Language and Literature, Hunan University, Changsha 410082, China)

机构地区：[1]湖南大学文学院,湖南长沙410082

出　　处：《三明学院学报》2019年第1期26-30,共5页Journal of Sanming University

摘　　要：明前期的骚体赋是明代辞赋文学的重要组成部分,在创作中以楚骚为学习和模仿的对象,继承了楚骚善于抒情的句式结构,沿袭了楚骚经典意象和意境,同时也产生了一些新的变化,以动物、植物、室宇、书画等题材充实了骚体赋的题材范围,以平和理性的情感表达拓展了骚体赋的抒情空间。这些变化给骚体赋的发展带来了新的机遇,也导致了骚体赋的抒情性被消解后台阁体化的命运,最终使骚体赋在永乐至成化年间走向衰落。The Fu of Sao typein the early Ming Dynasty was an important part of the literary of Ming Dynasty. The form of Chu Sao was imitated closely by Fu of Sao type, such as the structure of sentence, the classical image and the artistic conception. Simultaneously, new changes were created by Fu of Sao type.The scope of themes of Fu of Sao type was extended to animals, plants, chambers, paintings and calligraphy. The restrained and rational description greatly expanded the lyrical space of Fu of Sao type. These changes brought new opportunities to the development of Fu of Sao type. Meantime, it also make Fu of Sao type fell into decadence and corruption when it was affected by Taige which was a powerful literary style when Emperor Yongle ruled in the Ming Dynasty.

关 键 词：明朝前期 骚体赋 题材特点 

分 类 号：I207.22[文学—中国文学]