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作 者:王蕾[1] WANG Lei(College of Liberal Arts, Hunan Normal University, Changsha 410081,China)
出 处:《湖南工业大学学报(社会科学版)》2019年第1期57-63,共7页Journal of Hunan University of Technology(Social Science Edition)
基 金:湖南省哲学社会科学基金基地项目及奖励项目"突破与新变:新时期湖南文学的新批判现实主义精神研究"(17JD56)
摘 要:作为一部知识分子"还乡"书写的典范之作,《山南水北》的创作表明,韩少功在其离乡-还乡的人生行走中,一直以"出世之虚心做入世之实事"探索着自己的文学创作之路,并自觉地践行着一个公共知识分子的社会责任与道德良知。当韩少功从喧嚣与骚动的时代中退身而出时,其不仅在对自然的皈依中体验"天人合一"之道,于山南水北间追寻人性的本真,而且以朴素的赤子之心、平和的处事之态,来重构人与自然的亲密关系,探索和思考人类文明的过去、现代与未来。As a typical work of “hometown returning” writing by intellectuals, the creation of South of the Mountain and North of the Water indicates that Han Shaogong has been exploring his own path of literary creation by “using the transcendentally unassertive heart to do the mundanely practical work” in his life journey from leaving hometown to returning hometown, and consciously practiced the social responsibility and moral conscience of a public intellectual. When Han Shaogong retired from the noisy and turbulent times, he not only experienced the “harmony between man and nature” in his conversion to nature, and sought the authenticity of human nature between the south of the mountain and north of the water, but also acted in a simple and peaceful manner, so as to reconstruct the intimate relationship between man and nature, explore and think about the past, present and future of human civilization.
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