论海盐腔的曲牌化过程——从南戏声腔发展四阶段划分谈起  

On the Labelization of Haiyanqiang:A discussion based upon the four phases of the southern theatrical singing

作　　者：戴和冰[1] DAI Hebing

机构地区：[1]中国艺术研究院戏曲研究所

出　　处：《星海音乐学院学报》2019年第1期37-48,共12页Journal of Xinghai Conservatory of Music

摘　　要：南戏声腔经历了"随心令""宋词歌谣""宋词小调""地方剧腔"四个发展阶段,"宋人词而益以里巷歌谣"的结构方式,决定了以词唱官腔为基础发展而来的南戏海盐腔与生俱来的北曲色彩,使得海盐腔不仅经历了"由词唱向剧唱转化"和"由‘北’剧向‘南’戏转化"的过程,而且,还经历了"江南歌调"与"海盐土调"的曲牌化过程,歌调、土调由此被纳入曲牌体制。海盐腔只有经过曲牌化,才是严格意义上的南曲,才能进入地方剧腔时代。海盐腔的长足进步和发展都是曲牌化以后的事。The southern theatrical singing was developed through four phases as suixinling,songci geyao,songci xiaodiao,and local juqiang. Its structure of "combining the songci poems with local tunes"brought the northern theatrical music style into southern Haiyanqiang,making the singing to experience the course from cichang to juqiang and from northern style to southern style. During the course,both Jiangnan songs and Haiyan local tunes had their labelization and became into Haiyanqiang,a labeled tune of Nanqu in a strict sense.

关 键 词：江南歌调 海盐土调 曲牌化过程 海盐剧腔 官腔雅调 

分 类 号：J607[艺术—音乐]