新疆蒙古族民间音乐考察行记(下)  

Records of xinjiang Mongolian folk music investigation (Ⅲ)

作　　者：哈斯巴特尔 崔玲玲[2] Haas bateer;Cui lingling(Inner Mongolia institute of art,Hohhot 010010,Inner Mongolia;Beijing,central university of nationalities 100010)

机构地区：[1]内蒙古艺术学院,内蒙古呼和浩特010010 [2]中央民族大学,北京100010

出　　处：《内蒙古艺术学院学报》2019年第1期5-12,共8页Journal of Inner Mongolia Arts University

基　　金：2018年度国家社科基金艺术学项目"跨界族群卫拉特蒙古人的史诗<江格尔>及其音乐表演研究"(项目编号:18BD054)阶段性成果;内蒙古自治区高等学校科学研究项目名栏建设专项项目"田野调查"(项目编号:NJMZ1706)专栏论文

摘　　要：这是一篇传统音乐考察行记,主要以新疆蒙古人的传统音乐为对象,考察、采访、记录他们的传统音乐文化表演。在考察当中以音乐生活为中心,体验、观察、聆听、记录为主要手段。新疆境内生活的蒙古人,目前仍以游牧生产生活为主要经济文化类型,其传统音乐丰富多样,其中长调、短调、英雄史诗等音乐表演形式以外,呼麦、冒顿·潮尔等多声音乐形式留存。新疆蒙古族传统音乐文化是蒙古族传统音乐文化中极其重要的、珍贵的文化构成部分,对其研究,不仅丰富蒙古族传统音乐的体系建构,对世界蒙古学研究进程将产生积极的意义。This is a traditional music investigation record,mainly taking the traditional music of the mongolians in xinjiang as the object to investigate,interview and record their traditional music cultural performance.During the investigation,music life was taken as the center,and experience,observation,listening and recording were the main means.The life the mongolians in xinjiang,is still in the nomadic production life as the main economic and cultural type,its traditional music rich variety,including na,short,an epic hero,and other forms of music performance,called wheat,modu chanyu chao sound as much music form.Xinjiang Mongolian traditional music culture is extremely important in the Mongolian traditional music culture,the precious culture part,to its research,not only enrich the system construction of the Mongolian traditional music,Mongolia to the world study process will have a positive significance.

关 键 词：新疆蒙古族 民间音乐 考察行记 

分 类 号：G122[文化科学]