灵魂及其根底——从莱布尼茨到谢林的美学话语的谱系学研究  

Soul and Its Foundation: A Genealogical Research on the Aesthetic Discourse from Leibniz to Schelling

作　　者： 崔莉(译)[2,3] Otabe Tanehisa;Cui Li(School of Humanities and Sociology,University of Tokyo;School of Foreign Languages in Hubei University of Education;Hubei University)

机构地区：[1]日本东京大学人文社会系研究科 [2]湖北第二师范学院外国语学院 [3]湖北大学文艺美学2015级

出　　处：《文化发展论丛》2018年第2期103-117,共15页Culture Development Review

摘　　要：鲍姆嘉通在《形而上学》中提到“灵魂中存在着模糊表象,其整体被称为灵魂根底(fundus animae,der Grund der Seele)”。(Baumgarten,Met.,§511)“灵魂根底”这一概念,最早散见于莱布尼茨的著作中,鲍姆嘉通在《形而上学》中使用该术语并对之加以规定,使之成为支撑鲍氏作为“感性认识之学”或者“低级认识能力之学”的“美学”构想的概念之一。同时,该概念对鲍姆嘉通之后的美学话语--这里的美学话语不仅包括与狭义的哲学艺术论的“美学”相关的话语,也包括认为感性或者身体要素对人类而言不可或缺这样的话语--产生了根本性影响,我们可以从苏尔泽和摩西·门德尔松的感情论、赫尔德的发生心理学、生理心理学相关论述中读到它的直接影响,从谢林的美学话语中读到它的间接影响。本文将尝试对该概念进行谱系学研究。In Metaphsica,Baumgarten says that “there is a vague representation in the soul,and the whole is called the foundation”(Baumgarten,Met.,§511).The concept of “Soul's foundation” was first appeared in Leibniz's work,which was developed by Baumgarten in Metaphsica,becoming one of his aesthetic concepts in “Aesthetics of Perceptual Knowledge” or “Aesthetics of Low-level Cognitive Ability”.Meanwhile,this concept has made a rooted influence for the aesthetic discourse ( it is not limited to the narrow aesthetic discourse from the perspective of philosophical art,and includes the discourse which believes that sensibility and physical elements are essential to people) after Baumgarten,and we can discover its direct influence from Johann Georg Sulzer (1720-1796) and Moses Mendelssohn's(1729-1786)emotional theory,Herder's(1744-1803)theory on genetic psychology and physiological psychology,as well as its indirect influence from Schelling's aesthetic discourse.This paper will carry out a genealogical research on this concept.

关 键 词：莱布尼茨 鲍姆嘉通 灵魂根底 

分 类 号：O172[理学—数学]