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作 者:刘祯[1] Liu Zhen
出 处:《南京艺术学院学报(音乐与表演版)》2019年第1期82-88,I0009,共8页Journal of Nanjing Arts Institute:Music & Performance
摘 要:自20世纪20年代始,郑振铎不囿成见,主张全面认识中国文学历史和发展进程。他对戏曲、俗文学投入极大热情,并致力于相关古籍善本的搜求,其远见与卓识,使得先贤文心得以继承,学术资源得以保存,可谓民族文化大幸。新中国成立后,郑振铎主持影印出版《古本戏曲丛刊》,所选版本精良,多位海内外孤本。《古本戏曲丛刊》着眼于戏曲的整体历史,以作品汇编为主,也收入部分曲论、曲谱、曲目等,力求广博全备,历时60余载、集合几代学人力量,在戏曲史上意义甚大,不仅是当时古典戏曲最重要的文献整理工作,也是当代古籍文献最重要的整理工作之一,奠定了当代戏曲史研究的坚实基础。Beginning in the 1920s, Zheng Zhenduo advocated a comprehensive understanding of the history and development of Chinese literature without prejudice. He devoted great enthusiasm to traditional Chinese opera and popular literature and to the search of ancient books and rare books. His foresight and sagacity enabled the inheritance of the spirit of the older generations of writers and the preservation of academic resources, which is a great fortune for the national culture. After the founding of the People's Republic of China, Zheng Zhendou presided over the photocopying and publishing of the Journal of Ancient Editions of the Traditional Opera. Focusing on the overall history of Chinese opera, the series also included writings on music theory, music scores, and repertoire lists, etc., striving to be comprehensive. The compiling process lasted for more than 60 years with painstaking efforts from several generations of scholars, which is of great significance in the history of Chinese folk opera.
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