剑川白族木雕中的白族文化表现研究  

Study on the Cultural Performance of Bai Nationality in Jianchuan Bai Nationality Woodcarving

作　　者：黄鹏川[1] Huang Peng-chuan(Yunnan University for Nationalities,Kunming,Yunnan,650504)

机构地区：[1]云南民族大学,云南昆明650504

出　　处：《湖南包装》2019年第1期46-49,81,共5页

基　　金：2017年教育部人文社会科学研究项目(编号:17YJA760058)

摘　　要：剑川白族木雕是中国八大木雕流派中唯一冠以民族称谓的派别,作为白族代表性工艺之一,剑川木雕工艺风格的形成,带有深深的白族文化烙印。文章从剑川木雕的雕刻题材、纹样和图案、审美特点、象征寓意等因素分析出发,窥探剑川木雕所承载的关于白族文化的多元性、地域特征、审美特点、崇文风尚以及民族性格等特征,思考多元复合型文化对工艺风格形成的影响。Jianchuan Bai nationality woodcarving,which is the only faction named by nationality in China's eight woodcarving genres,is one of the representative technology of the Bai nationality.The formation of Jianchuan woodcarving craftsmanship has a deep brand of Bai culture.Based on the analysis of the carving theme,decorative pattern and design,aesthetic characteristics and symbolic meaning of Jianchuan woodcarving,this paper probes into the diversity,regional characteristics,aesthetic characteristics,valuing scholars style and national character of Bai culture carried by Jianchuan woodcarving.Characteristics,thinking about the impact of multi-composite culture on the formation of craft style.

关 键 词：剑川白族木雕 白族文化 审美特征 地域特征 

分 类 号：J314.2[艺术—美术]