论综合材料对当今油画创作中意象语境的影响  

On the Influence of Comprehensive Materials on the Image Context of Contemporary Oil Painting Creation

作　　者：蔡晓骝[1] CAI Xiaoliu(School of Art Design,Anhui Technical College of Mechanical and Electrical Engineering,Wuhu 241002,China)

机构地区：[1]安徽机电职业技术学院艺术设计学院,安徽芜湖241002

出　　处：《淮海工学院学报（人文社会科学版）》2019年第3期76-79,共4页Journal of Huaihai Institute of Technology(Humanities & Social Sciences Edition)

摘　　要：从本体语言的规律入手,以综合材料为主线,建立当代与传统之间的时空隧道。从探索、借鉴到形成自身的油画意象语境,综合材料始终是油画创作中的物质材料,它的介入使油画色彩、造型、材料上都产生了一定的变化,在意象语境中形成新的特征。着重探讨传统文化透过综合材料并经过中国油画家不断的本土化演变,有了自身的创作生命力,形成中国特有的意象油画,而这种油画也正是在中国文化语境中才会出现,并彰显中国文化的精神特质。Starting from the law of ontology language and taking comprehensive materials as the main line,this paper establishes the space-time tunnel between contemporary and traditional.From exploration,reference to the formation of their own oil painting image context,comprehensive material has always been the material in oil painting creation.Its intervention has made certain changes in the color,shape and material of oil painting,and formed new features in the image context.Emphasis is laid on the discussion of traditional culture through comprehensive materials and through the continuous localization of Chinese oil painters,which has its own creative vitality and forms the image oil paintings with Chinese characteristics.This kind of oil paintings can only appear in the context of Chinese culture and highlight the spiritual characteristics of Chinese culture.

关 键 词：综合材料 油画 意象 语境 

分 类 号：J205[艺术—美术]