论马原小说《虚构》的叙事交流模式  

On the Narrative Communication Mode of Fiction Written by Ma Yuan

作　　者：李润菡 LI Runhan(Guizhou Normal University,Guiyang 550000,Guizhou)

机构地区：[1]贵州师范大学,贵州贵阳550000

出　　处：《济源职业技术学院学报》2019年第1期87-92,共6页Journal of Jiyuan Vocational and Technical College

摘　　要：《虚构》是中国当代"先锋小说"代表作家马原最得意之作,也是他创作核心理念"小说即虚构"的最好阐释。马原打破传统小说固化创作思路,采用特色性叙事交流模式,以混同"真实作者""隐含作者""叙述者";塑造"不可靠叙述者""显性受述者"的形象以及构建虚实难辨的叙述情境的方式使读者身陷充满真真假假、虚虚实实的"马原的叙述圈套"中。分析《虚构》的叙事交流模式,对读者挖掘作品深层内涵,理清作品内在结构具有重要意义。Fiction is the most successful work of Ma Yuan,the representative of Chinese “contemporary pioneer novel”,and the best interpretation of his core idea of “fiction is fiction”.Ma yuan broke the fixed creative thinking of traditional novels and adopted the characteristic narrative communication mode to mix “real author”,“implied author” and “narrator”.He Shaped “unreliable narrator”,“dominant narratee” image and built the narration situation which is difficult to distinguish the real and the false to make the readers trapped in the “narrative trap of Ma Yuan” which is full of truth.The analysis of the narrative communication mode of Fiction is of great significance for readers to explore the deep connotation of the works and clarify the inner structure of the works.

关 键 词：马原 虚构 叙事交流模式 

分 类 号：I207.4[文学—中国文学]