身体“不纯”——当代舞蹈剧场中的身体实践  

Body “Impurity”: Physical Practice in Contemporary Dance Theater

作　　者：田湉[1] TIAN Tian(Editorial Department of Journal of Beijing Dance Academy,Beijing 100081 ,China)

机构地区：[1]北京舞蹈学院学报编辑部,北京100081

出　　处：《北京舞蹈学院学报》2018年第6期36-42,共7页Journal of Beijing Dance Academy

基　　金：2017年国家社科基金艺术学项目青年项目"民族身体的想象性重塑--世界格局中‘中国性’舞蹈的构形研究"(项目编号16BE067)阶段性研究成果;中国博士后科学基金面上资助项目"人机交互中的身体表达及其形式创造";项目编号(214848)阶段性研究成果

摘　　要：对身体"不纯"的讨论,一方面紧随当下舞蹈艺术实践的发展变化,另一方面基于对舞蹈物质媒介身体表现外延领域的思考。本文择取近年来具有代表性的剧场作品进行分析,探讨身体在实验剧场、开放舞台、公共空间等艺术表演场所表现出的诸多可能性和未来发展趋势:放弃使用职业舞者的身体转以普通人身体代替;身体作为反传统方式出现并与其他介质实时交互;艺术家通过身体,如面部的局部表情、"非人"身体等与传统唯美身体相悖的方式,表达对社会现实的关注和反思等。The discussion on body"impurity"closely follows the development and changes of current dance practice on the one hand,and bases on the reflection on the extended field of physical expression of dance material media on the other.The paper chooses the representative theatrical works in recent years to analyze and discuss the multiple possibilities and future trend of body in experimental theatres,open stages,public space and other art performing venues:abandon professional dancers'body and replace it with ordinary human body;body appears in anti-traditional way and interacts with other media in real time;by means of body such as partial facial expressions,"non-human"body,and other means contradictory to traditional aesthetic body,the artists express their concerns and reflections on social reality.

关 键 词：身体 舞蹈剧场 跨界 “制式舞蹈” 创造力 

分 类 号：J704[艺术—舞蹈]