地底的风华——唐墓葬雕塑作品中的女性文化管窥  

Beauty Beneath the Gound: A Glimpse of Women's Culture in The Tombs of Tang Dynasty

作　　者：范银花 樊媛媛 FAN Yin-hua;FAN Yuan-yuan(School of Art and Design,Yangzhou University,Yangzhou,Jiangsu,225009)

机构地区：[1]扬州大学美术与设计学院,江苏扬州225009

出　　处：《艺术百家》2018年第6期174-182,共9页Hundred Schools In Arts

基　　金：2015年度教育部青年基金项目"性别审视:中国古代女性图像的女性主义视角考察"(项目编号:15YJC760026)阶段性成果之一

摘　　要：唐朝是我国古代雕塑史上的集大成时期,也是我国妇女史上女性个性最为鲜明的一个阶段,此时艺术对现实世界的关照调动了雕塑艺术中女性角色的活跃,尤其墓葬中的女俑、线刻、浮雕等雕塑作品,题材丰富,形式多样,为研究唐代女性文化提供了珍贵的视觉资料。文章以其时墓葬雕塑作品的解读为出发点,紧扣其写实层面,分别从物质生产、服饰装束、音乐舞蹈、游戏娱乐四个角度考察了唐代女性的行为与活动所创造的面貌独特的女性文化,客观地还原了唐代女性的生存状态,进而理解她们话语和行动的意义并在这两者相联的基础上给出一个符合实际的解释。The Tang Dynasty is the epitome of ancient Chinese sculpture history.It is also the most distinct stage of female personality in Chinese women’s history.During this time,art’s concern for the real world has aroused the active role of women in sculpture.Especially the female figurines,line carvings,reliefs and other sculptures in the tombs portray the female images in a colorful and splendid way,that provides valuable visual data for the study of women’s culture in the Tang Dynasty.Starting from the interpretation of the tomb sculptures at that time and closely following the realistic level,this paper examines the unique female culture created by the behavior and activities of women in the Tang Dynasty from four perspectives:material production,costume,music and dance and entertainment.It objectively restores the outstanding style and splendor of women in the Tang Dynasty,and then re-understands the true trend of women’s history in ancient China.

关 键 词：唐代雕塑 女俑线刻浮雕 墓葬雕塑 女性文化 雕塑艺术 

分 类 号：J30[艺术—美术]