《风雅十二诗谱》的版本校勘与谱字考订  

Version Collation and Characters' Textual Research of Feng Ya Twelve-Poem Music

作　　者：张红梅[1] ZHANG Hongmei(School of Art, Ludong University, Yantai 264039, China)

机构地区：[1]鲁东大学艺术学院,山东烟台264039

出　　处：《鲁东大学学报（哲学社会科学版）》2019年第2期73-78,共6页Ludong University Journal:Philosophy and Social Sciences Edition

基　　金：教育部人文社科规划项目"三种南宋传世乐谱的宫调乐学研究"(15YJA760053)

摘　　要：本文以四种版本的《风雅十二诗谱》进行对校,同时以各乐曲谱字所显示出的音乐自身的旋法特点为辅助,去印证版本校勘的结果,从而达到校异、订讹的目的。校勘结果发现一贯被学界视为"善本"的《四库全书》本,错讹最多;而保存于日本的《仪礼经传通解》本,时间最为久远,误刻最少,显然是最接近历史本原面貌的版本,可谓最佳善本,应用作研究《风雅十二诗谱》的基础。By the comparison of the four versions of Feng Ya Twelve-Poem Music and the supplementary proof of melody characteristics of music itself displayed by the characters, this paper aims at verifying the result of version collation in order to achieve the purpose of finding the differences and correcting the errors. It is found that there are maximum errors in The Si Ku Quan Shu which has always been regarded as a “good edition” by the academic circle, while the Yi Li Jing Zhuan Tong Jie preserved in Japan has the longest time and the least errors, is obviously the closest to the history and the best rare edition, and should be the basis for the study of Feng Ya Twelve-Poem Music.

关 键 词：《风雅十二诗谱》 版本校勘 谱字考订 

分 类 号：H058[语言文字—语言学] J617.16[艺术—音乐]