《东邪西毒》环形叙事视角下的解读  

An Interpretation of “Ashes of Time” from the Annular Narrative Angle

作　　者：陈玲[1] CHEN Ling(School of Literature,Nanjing Normal University,Nanjin 210000,China)

机构地区：[1]南京师范大学文学院,江苏南京210000

出　　处：《遵义师范学院学报》2019年第2期150-153,共4页Journal of Zunyi Normal University

摘　　要：1994年是世界电影一百周年纪念年,电影界出现了一大批优秀之作,其中就有王家卫的《东邪西毒》。影片采用环形叙事结构,以迷乱沉醉的光影、含义深刻的音乐、寓意丰富的镜头共同构筑时间灰烬与空间碎片,讲述了西毒欧阳锋与黄药师、慕容燕、慕容嫣、洪七、桃花等人剪不断理还乱的非江湖故事。电影不再讴歌义薄云天的盖世英雄,而以时空为原点,以人的欲望与现实处境为轴线,呈现人在虚无中的自我耗尽与自我消解。文章从叙事结构角度解读该片,以期为解读《东邪西毒》提供一些新思考。The year 1994 marks the centenary of the world's cinematography,and a large number of outstanding films have appeared in the film industry,including Wang Jiawei's"Ashes of Time".The film adopts the annular narrative structure,which constructs the time ash and the spatial debris together by the lost and intoxicated light and shadow,the profound music and the rich meaning lens.It Narrates the legendary story among Ouyang Feng and Huang Yaoshi,Murong Yan,Hong Qi,Tiao Hua and so on.The film no longer eulogizes the heroes of the earth,but takes the time and space as the origin and the desire and the realistic situation as the axis,presenting the selfexhaustion and self-digestion in the nothingness.The article interprets the film from the perspective of narrative structure,hoping to provide some new thinking for the interpretation of"the evil of the east and the west of the poison".

关 键 词：环形叙事 时间灰烬 空间碎片 虚无 

分 类 号：J905[艺术—电影电视艺术]