古典文学作品中爱情故事的时代烙印——以元代郑光祖的杂剧《倩女离魂》为例  

The Time Brand Mark of Love Stories in Classical Literature——Taking Yuan-Zaju Attractive Female Ghost Produced by Zheng Guangzu in Yuan Dynasty as an Example

作　　者：韩伟 HAN Wei(School of Humanities,Yantai University,Yantai,Shandong 264003)

机构地区：[1]烟台大学人文学院,山东烟台264003

出　　处：《岳阳职业技术学院学报》2019年第1期85-89,共5页Journal of Yueyang Vocational and Technical College

摘　　要：郑光祖的《倩女离魂》以浪漫主义手法塑造了一个冲破封建枷锁勇敢追求爱情的女性形象,其并非纯粹的浪漫幻想,亦揭露了冷酷的社会现实。作品从"父母之命""倩女离魂""两个倩女"三个重要情节对封建礼教的反叛中有顺从,顺从中有反叛。封建社会的爱情故事或多或少均表现出既希望冲破封建礼教的束缚,又不得不依赖封建制度的特点,古典文学作品中的爱情故事被印刻上鲜明的时代烙印。Zheng Guangzu's"Attractive Female Ghost"portrays a woman who breaks through the feudal fetter and bravely pursues the love by means of romanticism.It's not just a pure romantic fantasy,but reveals the cruel reality.The work,from the three important plots which are"the Order of Parents","Beauty Lost Her Soul"and"The Two Attractive Females",presents the mix of obedience and rebellion when against the feudal ethics.Love stories in feudal society have more or less the same characteristics,such as they hope to break through the fetters of feudal ethics,but have to rely on feudal system.It is the reason that love stories in classical literature are marked with distinct brand of the times.

关 键 词：爱情故事 倩女离魂 郑光祖 时代烙印 

分 类 号：I206.2[文学—中国文学]