戏剧中的电影:论马丁·麦克多纳《伊尼什曼岛的瘸子》中的媒介间互文叙事  

Film within a Play:On the Transmedia Intertextuality in Martin McDonagh's The Cripple of Inishmaan

作　　者：王晶 陈红薇[1] WANG Jing;CHEN Hongwei

机构地区：[1]北京科技大学外国语学院,北京100083

出　　处：《文化艺术研究》2019年第1期56-63,共8页Studies in Culture and Art

基　　金：北京科技大学博士生科研基金项目"马丁.麦克多纳戏剧中的媒介间性研究"(项目编号:06198209)的阶段性成果

摘　　要：戏剧和电影的结合是爱尔兰当代戏剧家马丁·麦克多纳创作的一大特色。在剧中,麦克多纳将美国纪录片《阿伦岛人》嵌入剧情,使戏剧与电影两种艺术媒介及"西部想象"和"美国幻梦"两种文化语境构成并置和对照,用反浪漫主义的叙事颠覆了电影对阿伦岛的神话建构。此外,戏剧与电影的媒介间互文转换为一种媒体景观,观众在电影和戏剧并置的时空中进入一个"居间"的表演场,从而经历了一种媒介间观剧体验。The combination of drama and film is a feature of contemporary Irish playwright Martin McDonagh. The Cripple of Inishmaan adopts the narrative strategy of "film within a play". McDonagh embeds the American documentary Man of Aran into the play, thus juxtaposing different forms of art,comparing and constrasting western imagination and American dream to deconstruct the myth of Aran Island by an anti-Romantic narrative. Moreover, the transmedia intertextuality between drama and film forms a mediascape, enabling the audience to enter an in-between performance area and to have an intermedial experience formed by the juxtaposition of the film and the play.

关 键 词：马丁·麦克多纳 剧中影 媒介间互文叙事 媒介间体验 

分 类 号：J805[艺术—戏剧戏曲]