石碑·秦腔·寺庙:《高老庄》与《秦腔》中的三类意象研究  

Stele, Shaanxi opera,temples: three types of imagery in Gao Lao Zhuang and Shaanxi opera

作　　者：王太军 Wang Taijun(School of Literature,Guizhou Normal University,Guiyang 550025,China)

机构地区：[1]贵州师范大学文学院,贵州贵阳550025

出　　处：《六盘水师范学院学报》2019年第2期43-51,共9页Journal of Liupanshui Normal University

摘　　要：在贾平凹以农村生活为题材的两部长篇乡土小说《高老庄》与《秦腔》中,石碑、秦腔、寺庙是反复出现的描写对象,其分别被作者寄寓深意,石碑是历史的载体,秦腔是文化的象征,寺庙则是传统的化身。贾平凹通过表现这三类意象在乡村世界里行将衰微的境遇,传达出了他对于历史被人遗忘、文化趋于没落和传统失去生存空间的忧患意识。研究这三类意象,可以对贾平凹"文以载道"的创作观念有一个清晰的认知。In Jia Pingwa’s two rural novelsGao Lao Zhuang andQin Qiang with rural life as the subject mat.ter,the stone monuments,the Shaanxi opera and the temples are the objects of repeated description.The stone tablets are the carrier of the history,the Qin Dynasty is the symbol of the culture,and the temple is the embodi.ment of the traditional.By expressing the decline of the three images in the rural world,Jia Pingwa conveys his sense of anxiety about the forgotten history,the decline of culture and the loss of the living space.Studying these three types of imagery can have a clear understanding of Jia Pingwa’s creative conception of“Writings are for conveying truth ”.

关 键 词：石碑 秦腔 寺庙 文以载道 

分 类 号：I206.7[文学—中国文学]