检索规则说明:AND代表“并且”;OR代表“或者”;NOT代表“不包含”;(注意必须大写,运算符两边需空一格)
检 索 范 例 :范例一: (K=图书馆学 OR K=情报学) AND A=范并思 范例二:J=计算机应用与软件 AND (U=C++ OR U=Basic) NOT M=Visual
作 者:黎鲜[1,2] 许清茂 Li Xian;Xu Qingmao
机构地区:[1]厦门大学新闻传播学院,福建厦门361005 [2]广西民族大学传媒学院,广西南宁530006
出 处:《台湾研究集刊》2019年第2期102-110,共9页Taiwan Research Journal
摘 要:"解严"后台湾文化向商品性、大众性、多元性发展。1989年10月(47期)至2002年3月(209期),初安民执掌的《联合文学》求变求新,在坚持纯文学为主体的基础上倡导多元风格,提出"文学跨界""文学生活化""文学文化化""大花园主义",以及"与时代脉搏同步跃动"的编辑理念,通过栏目设置的多元化,用内容吸引读者,以求得杂志的生存发展。这些编辑理念在"解严"后社会环境发展驱动下产生,同时也是对社会发展的映现。该时期承上启下,推动了《联合文学》发展。The culture of Taiwan tends to be commodity popular and diverse after the lifting of the martial law. In his ten years of control of UNITAS a Literary Monthly from October 1989 (No. 47) to March 2002 (No. 209), Chu Anmin hadsought for change and innovation advocating the diversity on the basis of adhering to pure literature as the main body and proposing the editorial concepts of “literary cross border”“literary life”“literary culture”“big garden doctrine” and “the synchronous movement with the pulse of the times”.On the other hand hetried to attract readers with the contents so as to facilitate the survival and development of the magazine. In fact it is the development of social environment after the lifting of martial law that actually triggers these editorial ideas which serves as a connecting link promotes the development of the magazine and ensures its top position.
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在链接到云南高校图书馆文献保障联盟下载...
云南高校图书馆联盟文献共享服务平台 版权所有©
您的IP:3.145.159.123