普希金名作《致凯恩》的艺术象似度分析  

An Analysis of the Artistic Iconicity in Pushkin's Masterpiece Ode to Cairn

作　　者：刘永红[1] Liu Yonghong

机构地区：[1]华中师范大学外国语学院

出　　处：《俄罗斯文艺》2019年第2期56-62,共7页Russian Literature & Arts

基　　金：国家社科基金项目<俄汉实-图构式的认知象似度研究>(17BYY195)的阶段性研究成果

摘　　要：《致凯恩》是俄罗斯诗歌的太阳普希金的抒情名作,是其一生爱情体验和精神探索的集中表征。它以其高雅的情调、复环的结构和精美的语言而被俄罗斯民族音乐之父格林卡谱曲,脍炙人口。本文拟从意象图式、事件框架和语言表达三个方面对其试作分析,努力阐释其基于艺术象似度建构的独特魅力,揭示其对诗歌创作的普遍性原则的完形实践,以促进对普希金诗歌的深度赏析和启迪我国新诗向世界文学高峰的攀登。"Ode to Cairn" is the lyrical masterpiece of Pushkin, the sun of Russian poetry. And It is also a concentrated representation of his lifelong love experience and spiritual exploration. It is composed by Glinka, the father of Russian national music, with its elegant atmosphere, complex structure and exquisite language. This paper intends to analyze the trials from three aspects: image schema, event framework and language expression, and strives to explain its unique charm based on the construction of artistic iconicity, to reveal its gestalt practice of the universal principle of poetry creation, in order to promote Deep appreciation of Pushkin's poetry and enlighten the climb of China's new poetry to the peak of world literature.

关 键 词：艺术象似度 普遍性原则 《致凯恩》 

分 类 号：I512.072[文学—其他各国文学]