身体行为与文化认同——论壮族布傣天琴中立音的生成  

Physical Behavior and Cultural Identity: on the Formation of Neutral Tone in the Musical Instrument “Bu-tai Tian-qin” of Zhuang Nationality

作　　者：邱晨 QIU Chen

机构地区：[1]福建师范大学音乐学院,福建福州350007

出　　处：《贵州大学学报（艺术版）》2019年第2期94-99,108,共7页Journal of Guizhou University Art Edition

摘　　要："中立音"是广西龙州传统乐器——天琴的一种特殊的音律现象,它曾引起了一些专家学者的关注,也受到了一些专家学者的质疑。在田野考察的基础上,通过对龙州天琴的三位执仪人进行测音分析,发现其中立音存在一定的共性特征与个性差异。通过对中立音的生成进行纵横两方面因素的探讨与剖析,体现了制作者对琴杆形制的文化认同,阐述了表演过程中身份行为对中立音形成的影响。“Neutral tone” is a peculiar temperamen henomenon of the traditional musical instrument Tian-qin in Longzhou area of Guangxi province and it once drew attentions of experts and scholars and their queries as well. Based on the field investigation, the author identifies the common features and differences of the neutral tone by conducting phonetic analysis with three players on the musical instrument Tian-qin in Longzhou area. And by analyzing two elements in its formation, this essay suggests the luthiers expressed their cultural identity with the shapes of the instrument neck and how the physical behaviors in the performance can influence the formation of neutral tone.

关 键 词：中立音 身体行为 信仰文化 天琴 音乐生成 

分 类 号：J632.39[艺术—音乐]