论张爱玲小说叙事的电影化特征  

On the Cinematic Features of the Narration in Zhang Ailing's Novels

作　　者：胡亭亭 HU Ting-ting(School of Arts and Law,Harbin University,Harbin 150086,China)

机构地区：[1]哈尔滨学院文法学院,哈尔滨150086

出　　处：《哈尔滨工业大学学报（社会科学版）》2019年第3期84-89,共6页Journal of Harbin Institute of Technology(Social Sciences Edition)

基　　金：黑龙江省哲学社会科学规划一般项目(18ZWD433)

摘　　要：张爱玲与电影的关系非同一般,她从电影这种新兴的艺术形式中汲取养分,形成了自己独特的叙事技巧。时间、空间的自由转换,故事情节发展的戏剧性表现,这些电影化特征被张爱玲兼收并蓄,她对"镜头性"、"特写性"等影像修辞格的视觉化移植,既在感官上带给读者强烈的画面感,又强化了小说语言在深入人物内心方面的优越性。更为重要的是,她虽沉迷于电影,但却对电影的本质和虚幻性有着清醒的认识与把握,并有一定的反省与批判。Zhang Ailing's relationship with the film is extraordinary.She draws nutrients from the emerging art form of the film and forms her own unique narrative skills.The cinematic features such as the free conversion of time and space,and the dramatic performance of the development of the storyline are absorbed by Zhang Ailing.Her visualization of image rhetoric such as"lens"and"close-up"has brought readers a strong sense of perception.At the same time,it strengthens the superiority of the novel language in deepening the inner feelings of the characters.What is more important is that although she is obsessed with movies,she has a clear understanding and grasp of the nature and unreality of the film,and a certain amount of introspection and criticism.

关 键 词：戏剧式电影结构 电影镜头 电影语言 电影本质 

分 类 号：I206.6[文学—中国文学]