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作 者:魏淑赟 WEI Shuyun(Institute of History,Tianjin Academy of Social Sciences,Tianjin 300191,China;Research Center for History and Culture of Tianjin,Tianjin Academy of Social Sciences,Tianjin 300191,China)
机构地区:[1]天津社会科学院历史研究所 [2]天津社会科学院天津历史文化研究中心
出 处:《常熟理工学院学报》2019年第3期17-22,共6页Journal of Changshu Institute of Technology
摘 要:在我国古代礼教的夫妻关系中,女性处于卑下的从属地位。在明清女作家弹词小说中,作家们对这种夫妻关系进行了颠覆性的重构,从互相尊重、妇唱夫随、转变对“贞女”和“义夫”的态度、将夫妻关系异化为上下级关系、同情妾并反对纳妾五个方面对理想中的夫妻关系进行了描绘。这种理想的出现和形成是明清社会变革的产物,受到当时民主思想、重商思想和对夫妻关系反思思潮的影响。In the marital relationship in the ancient Chinese etiquette,women were in a humble subordinate position.In the female writers’Tanci novels during the Ming and Qing dynasties,the writers undertook a subversive reconstruction of the relationship between husband and wife,depicting an ideal marital relationship from five aspects:having mutual respect,maintaining harmony between husband and wife,changing attitudes towards“a chaste girl”and“a righteous husband”,dissimilating from the marital relationship to the relationship between superior and subordinate,and both sympathizing with concubines and opposing concubinage.The emergence and formation of this ideal marital relationship were the product of the social change in the Ming and Qing dynasties,influenced by the democratic thought,the mercantilism and the reflection on the martial relationship at that time.
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