二人转中悍妇形象及其地域文化传承  

The Images of Shrew in Er-ren-zhuan and the Inheritance of Regional Culture

作　　者：卢晓侠[1] LU Xiaoxia(College of Journalism and Communication, Northeast University of Finance and Economics, Dalian, Liaoning 116025, China)

机构地区：[1]东北财经大学新闻传播学院,辽宁大连116025

出　　处：《吉林师范大学学报（人文社会科学版）》2019年第3期99-105,共7页Journal Of Jilin Normal University:Humanities & Social Science Edition

基　　金：辽宁省教育厅项目"东北二人转核心文化因子及其当代传承研究"(编号:LN2016YB029);东北财经大学项目"生态学视角下东北民俗喜剧的传承与发展研究"(编号:DUFE2015Y37)

摘　　要：彪悍是二人转中女性形象的基本特征,表现为造型上的热辣、土俗和性格上的粗犷、豪迈。在艺术处理上,女演员跳进戏内,会将自身角色化,但跳出戏外则凸显东北化的女性形象,甚至通过"出相"强化这一特征。二人转中的悍妇形象植根于东北特定的文化习俗,是东北女性在较少清规戒律的文化氛围中近乎狂欢化生活状态的舞台呈现。究其根本,二人转中的悍妇形象是自然环境恶劣、历史上偏于一隅从而相对缺乏"教化"的狂欢文化所滋养,也是对东北地域文化的传承。Wildness is the basic feature of female images in Er-ren-zhuan, which is characterized by hot and vulgar costume as well as rugged character. In terms of artistic treatment, the actresses act the roles when they play, while highlight Northeastern women’s character without thinking about the play and even strengthen the feature through unique bodily techniques. The shrews in Er-ren-zhuan are rooted in the specific culture and customs in Northeast China. It is also the showing of the carnival life of northeastern women in a less civilized atmosphere on the stage. Fundamentally speaking,the shrews in Er-ren-zhuan are nourished by the carnival culture in a historical corner with relatively bad natural environment, and also the inheritance of Northeast regional culture.

关 键 词：二人转 悍妇形象 地域文化 传承 

分 类 号：G127[文化科学]