思辨实在论视角下的《直觉主义者》的升降机书写  

The Elevator Writing in The Intuitionist in the Perspective of Speculative Realism

作　　者：周凌敏[1,2] ZHOU Lingmin(School of Foreign Studies, Southern Medical University , Guangzhou 510515, China;College of Liberal Arts,Jinan University,Guangzhou 510632, China)

机构地区：[1]南方医科大学外国语学院 [2]暨南大学文学院

出　　处：《山东外语教学》2019年第2期85-94,共10页Shandong Foreign Language Teaching

基　　金：国家社科基金2018年度一般项目“物叙事理论建构与批评实践研究”(项目编号:18BWW003)阶段研究成果;广东省哲学社会科学2014年度规划项目(项目编号:GD14CWW009)支持

摘　　要：在思辨实在论视角下,美国非裔作家科尔森·怀特黑德在《直觉主义者》中建构的独立于人类存在、人类理性无法理解的升降机世界可划分为梅亚苏所定义的科外幻世界。以黑人为代表的直觉主义者通过直觉完成与这个世界的交流和融合,并战胜以白人为代表的对手经验主义者,从而借助升降机的坠落推翻当前种族景观、建构后种族城市。怀特黑德旨在通过描述不依赖人类意识存在的升降机世界来观照充满种族主义的人类世界,借助人类经验之外的物的力量批判当代社会的种族主义。怀特黑德在《直觉主义者》中展现了新的种族想象,创造了新的美学特质。According to speculative realism, an elevator world, which is independent of human world and rationality in The Intuitionist written by the African American writer Colson Whitehead, could be classified as Quentin Meillasoux’s extro-science world. Intuitionists consisting of black people could have access to and communication with this world by intuition, and therefore could defeat Empiricists consisting of white people. By the downfall of elevator, Intuitionists could eradicate the current ethnoscapes and thus construct a postracial city. By constructing an elevator world out of human rationality, Whitehead aims to contemplate the contemporary human world and criticize its racism with the help of the power of things beyond human experience. The Intuitionist presents Whitehead’s new racial imagination and aesthetics.

关 键 词：科尔森·怀特黑德 《直觉主义者》 思辨实在论 升降机世界 科外幻文类 新种族想象 

分 类 号：I106[文学—世界文学]