金庸武侠小说中的“隐逸”主题研究  

On the Theme of Reclusiveness in Jin Yong’s Martial Arts Novels

作　　者：李影辉[1] LI Ying-hui(Department of Humanities,HeiLongjiang University of Finance and Economics,Harbin 150025,China)

机构地区：[1]黑龙江财经学院人文科学系

出　　处：《哈尔滨师范大学社会科学学报》2019年第3期125-127,共3页Journal of Social Science of Harbin Normal University

摘　　要：金庸的武侠小说集娱乐性和思想性为一体,是中国当代文学的瑰宝,既继承了传统武侠小说的精髓,也实现了从思想到艺术的诸多革新。总览金庸小说,"隐逸"主题贯穿其始终,是金庸对"理想与现实"人生哲学问题的具象反映,对"归于平淡"审美原理的实践发挥。金庸作品中的"隐逸"并非消极避世,而是角色追求个性自由、提倡独立精神的必然。"隐逸"主题诠释了金庸对儒道释精神的理解,既是其对中国古典文化的重新建构,也体现出其尊重个体生命价值的现代观念和现代意识。Jin Yong’s martial arts novels, a perfect combination entertainment and aesthetic depth, are a gem of Chinese contemporary literature. The novels not only inherit the essence of traditional martial arts novels, but also revolutionize the traditional them both thematically and aesthetically. The theme of reclusiveness permeates throughout Jinyong’s martial arts novels, and reflects his philosophical thinking on the topic of "reality and dream" and his aesthetic practice of "peace in mind". However, the reclusiveness in his novels are not out of passive escape but of pursuit of individual freedom and independence. The theme of reclusiveness is Jinyong’s own interpretation of Confucianism, Buddhism and Taoism, which is a reconstruction of Chinese traditional culture and meanwhile indicates his modern concept and awareness of respecting individual life value.

关 键 词：金庸 隐逸 儒道释 

分 类 号：I207[文学—中国文学]