当代中国漆画艺术的自我形塑  

Self-shaping of Contemporary Chinese Lacquer Painting Art

作　　者：尹呈忠 Yin Chengzhong

机构地区：[1]上海市美协漆画工作委员会

出　　处：《美术》2019年第5期23-24,共2页Art Magazine

摘　　要：我国漆艺术传统中有别于西方艺术范式的感知与实践体系不啻为今人进行漆艺术创造的宝贵资源。在当代视觉文化的建设过程中,漆画家们应该首先找到各自需要解决的艺术问题,并为此贡献出自己的才情与智识。笔者认为,我们的漆艺术不能仅仅停留在一般意义上的装饰和美化价值,而是应该借漆媒材去进行新时代的自我塑造。当漆艺术工作者们都既有着本土文化的自觉坚守,又有着当代文化建设的主动担当,并且在方法论、价值观与艺术表现形态上能够形成自己的面貌,才能切实打造和完善我们自己的漆文化体系,从而真正实现我国漆艺术的复兴。Different from the normal form of the western art, the perception and practice system in the tradition of Chinese lacquer is a valuable resource in the lacquer art creation for contemporary people. In the construction process of the contemporary visual culture, lacquer painters should find their own artistic problems firstly and contribute their talent and intelligence to the solution. The author believes that Chinese lacquer art should not be restricted to the decorarive value in a general sense but start the self-shaping in a new era using the lacquer as the medium. Only if the lacquer art workers stand fast the local cultural consciously and undertake the contemporary cultural construction initiatively with their special artistic expression forms on the basis of the certain methodology and values, can they create and improve our own lacquer culture system eflFectively to rejuvenate Chinese lacquer art.

关 键 词：中国漆画 当代意识 本土文化 自我形塑 

分 类 号：J2O5[艺术—美术]