中国漆艺的当代之途  

The Developing Path of Contemporary Chinese Lacquer Art

作　　者：高宇辉 Gao Yuhui

机构地区：[1]福建师范大学美术学院

出　　处：《美术》2019年第5期25-26,共2页Art Magazine

摘　　要：本文以新世纪以来漆艺发展的整体状貌为探讨对象,通过梳理这一时期漆艺相关的重要展事与学术活动,阐述当代漆艺的发展现状与存在问题,揭示当下创作所面临的困局。笔者认为,漆艺界应当通过加强对现实生活与文化状态的关注、强调艺术评论与理论研究的意义、敏锐把握漆材料的多样特征等措施,才能发挥漆艺所具备的当代价值。The paper makes an analysis of the development of the overall lacquer art in the new century. By reviewing the important exhibitions and academic activities related to the lacquer art in diis period, the paper makes an interpretation of the current situation and problems in the development of contemporary lacquer art to reveal the predicament in the creation. The author believes that the lacquer artists should pay more attention to the real life and cultural condition and emphasize the significance of art criticism and theoretical research to develop the contemporary value of the lacquer art should according to the diverse characteristics of lacquer materials.

关 键 词：当代漆艺术 多元性 艺术观念 材料特性 

分 类 号：J205[艺术—美术]