论五四新文化运动作为中国美术批评现代转型的起点  

The Start of Modern Transition of Chinese Art Criticism:The May Fourth New Culture Movement

作　　者：曾小凤 Zeng Xiaofeng

机构地区：[1]中央美术学院国家主题性美术创作研究中心

出　　处：《美术》2019年第5期88-93,97,共7页Art Magazine

摘　　要：本文通过对五四时期围绕“文人画”展开的价值论说及其批评话语的研究,包括狭义“美术”的生成与五四新文化运动、“文人画”的价值危机以及陈独秀“革王画的命”的批评话语实践等问题,指出中国美术批评的现代转型,与五四新文化运动发动思想启蒙运动直接相关,它在形态上具有强烈的否定性、批判性和革命性。反思并质疑了目前学界普遍将晚清王国维的《〈红楼梦〉评论》作为中国现代美术批评史开端的观点。In this paper, the study on the value comment and critical discourse during the period of the May Fourth movement centred on literati paintings includes the following issues: the forming of fine art, the New Culture Movement, the crisis of value of literati paintings, Chen Duxius criticism discourse on "eliminating Wangs' paintings" and so on. It can be concluded that the modern transition of Chinese art criticism with the negative, critical and revolutionary characteristics is directly related to the enlightenment in the May Fourth New Culture Movement. The current author reviews and queries the widespread viewpoint in present academic circle of regarding the late Qing scholar Wang Guowei s Comment on The Story of the Stone as the start of Chinese modern arc criticism.

关 键 词：五四新文化运动 中国美术批评 现代转型 价值危机 

分 类 号：J209[艺术—美术]