中国现代漆画先行者吴埜山生平及作品考  

A Study of the Life and Artworks of Wu Yeshan as the Forerunner of Modern Chinese Lacquer Painting

作　　者：施并塑 林银焕 Shi Bingsu;Lin Yinhuan

机构地区：[1]福建农林大学艺术学院 [2]澳门城市大学创新设计学院 [3]福州大学厦门工艺美术学院

出　　处：《美术》2019年第5期102-105,101,共5页Art Magazine

基　　金：2019年度国家艺术基金青年艺术创作人才资助项目《惠女海丝情》(项目编号:13040220180608247168)阶段性研究成果

摘　　要：自从2015年吴埜山的金漆画《林森像》等报刊资料被挖掘出来,中国现代漆画史随之被改写。之后他的《孙中山像》《自画像》也陆续被发掘出来,特别是在2018年中贸圣佳秋拍中出现的他的《象耕图》(1929),是目前可考的最早的中国现代漆画作品。笔者经过资料整理,又新发现了吴埜山人选民国时期教育部主办的第二次全国美术展览会的漆画作品《白鸽》和《苏武牧羊图》的相关资料。这些文献资料的发现,对中国现代漆画史的研究具有积极意义。Since Wu Yeshans gold lacquer painting Lin Sens Portrait published in the newspaper was discovered in 2015, the history of modern Chinese lacquer painting had been rewritten. Later, his other works such as Sun Yat-sens Portrait and Self-portrait were also discovered successively. In particular, his work Elephant in the Plough (1929) appeared in Sungari International 2018 Autumn Auction is proved to be the earliest modern Chinese kcquer painting at present. On the basis of a many of" materials, the author also discovered the related information about Wu Yeshans lacquer paintings Pigeons and Su Wu Is Herding the Rams which were selected in the Second National Exhibition of Fine Arts sponsored by the Ministry of Education during the period of the Republic of China. The discovery of these documents is of positive significance to the study of modern Chinese lacquer painting history.

关 键 词：吴埜山 金漆画 现代漆画 民国漆画 

分 类 号：J223.9[艺术—美术]