论中岛哲也电影的跨界之美  

On the Crossover Beauty of Nakajima Tetsuya's Films

作　　者：胡珊珊 林进桃 Hu Shanshan;Lin Jintao

机构地区：[1]云南大学新闻学院,云南昆明650000

出　　处：《传媒观察》2019年第5期81-86,共6页Media Observer

摘　　要：中岛哲也是日本影坛的后起之秀,作为广告导演而后跨界执导电影。以《下妻物语》为分界线,顺利实现了其电影生涯的转折。中岛哲也的电影创作有机融入了广告艺术,有着别具一格的拍摄风格和表现方式。其电影的跨界之美主要表现在以下几个层面:影像表达与印象植入之美,音乐音响的巧妙安排之美,作为跨界导演的独特风格之美等。跨界导演中岛哲也将广告元素、广告思维与电影创作相结合,营造了全新的影像体验,成就了独特的个人风格。Nakajima Tetsuya is one of the rising stars in the Japanese film industry. He is an advertisement director-turned film director. After the film"Shimotsuma Monogatari", he officially became a film director. Nakajima Tetsuya's film has integrated the element of advertising art, with a unique shooting style and expression. The beauty of crossover films is mainly reflected in the beauty of image expression and impression implantation, the beauty of skillful arrangement of music and sound and the beauty of a mixed style. Nakajima Tetsuya also combines advertising elements, advertising thinking and film creation to foster a new video experience and a unique personal style.

关 键 词：中岛哲也 日本电影 跨界 广告 

分 类 号：G206[文化科学—传播学] G113