十七年时期话剧创作的大众化倾向——以《茶馆》为例  

On the Popularization Tendency of Drama Creation in the Seventeen-Year Period——Taking Tea House as an example

作　　者：任金凤[1] 丁洲 Ren Jinfeng;Ding Zhou(Daqing Normal University,Daqing 163712,China)

机构地区：[1]大庆师范学院

出　　处：《黑河学院学报》2019年第4期184-186,共3页Journal of Heihe University

基　　金：黑龙江省哲学社会科学研究规划项目“前苏联文学理论对龙江十七年话剧文学大众化的影响”(14E098)

摘　　要：中华人民共和国建国后十七年时期,话剧进入现实主义创作的深化期,也随之表现出了大众化的创作倾向。许多广为流传的优秀作品脱颖而出,在中国文学史上留下了浓墨重彩的一笔。老舍的《茶馆》便是在这样的背景下创作而成的,至今仍活跃在舞台上。作品中,老舍通过取材、内容、人物三方面,充分展现了剧作的大众化特色,代表了十七年时期话剧创作的大众化倾向的一类。During the seventeen-year period after the founding of the People’s Republic of China,the drama entered the deepening period of realist creation,later showing the tendency of popular creation.Many widespread outstanding works stood out at that period,leaving a strong and colorful stroke in the history of Chinese literature.Lao She’s Tea House is created in this context and is still active on the stage nowadays.In the works,Lao She fully demonstrates the characteristics of popularization through the three aspects:topic selecting,contents and characters,representing the popularization tendency of drama creation in the seventeen-year period.

关 键 词：十七年时期 话剧 《茶馆》 大众化 

分 类 号：I234[文学—中国文学]