浙东吹打传承群体的构建模式研究  

Study on the Formation Models of the Inheritance Groups of Blowing and Beating Performance in Eastern Zhejiang

作　　者：殷颙[1] YIN Yong(School of Arts,Zhejiang International Studies University,Hangzhou 310023,China)

机构地区：[1]浙江外国语学院艺术学院,浙江杭州310023

出　　处：《东北师大学报（哲学社会科学版）》2019年第3期200-204,F0003,共6页Journal of Northeast Normal University(Philosophy and Social Science Edition)

基　　金：教育部人文社会科学研究规划基金项目(15YJA760047)

摘　　要：浙东吹打传承群体直接孕育并催生了这一影响深远的民族器乐乐种的形成与发展。浙东吹打的群体分布较为广泛,群体的构建模式也因不同历史时期所处政治、经济、文化的发展而产生艺术属性、用乐场合、组织结构、群体规模、表演内容及社会影响力方面的差异。通过对浙东地区吹打发展较为集中和繁盛的嵊州、奉化、上虞等地吹打传承群体的考察与研究,同时结合相关文献史料的记载和描述,从而理清浙东吹打不同属性传承群体构建模式的形成背景、形成条件、吹打特点及相互间的接续关系。The formation and development of this far-reaching national instrumental music is directly bred by the inheritance groups of blowing and beating performance in East Zhejiang.The blowing and beating groups are widely distributed across East Zhejiang.Formation models vary in art attributes,organization form,group size,performance area,performance content and social influence relevant to the politics,economy or culture of different historical periods.This paper focuses on the observation and study of the inheritance groups of blowing and beating performance in Shengzhou,Fenghua and Shangyu areas in Eastern Zhejiang where such performance is more popular and flourishing.With the reference of relevant literature and historical information,the paper aims to clarify the backgrounds,conditions,characteristics and the successions of the formation models of the inheritance groups of blowing and beating performance in East Zhejiang.

关 键 词：浙东吹打 传承群体 构建模式 接续 

分 类 号：J63[艺术—音乐]