《万延元年的足球队》中对侦探小说叙事的借用与超越  

The Borrowing and Transcending of Detective Novel Narratives in The Silent Cry

作　　者：张雅蒙 杨伟[1] Zhang Yameng;Yang Wei(Sichuan International Studies University,China)

机构地区：[1]四川外国语大学日语系

出　　处：《日语学习与研究》2019年第2期95-101,共7页Journal of Japanese Language Study and Research

摘　　要：在《万延元年的足球队》中,无论是鹰四涉及的命案,还是万延元年的农民暴动,都有一个从假象到真相的揭露过程,这就使得对该文本进行侦探小说叙事的分析具有了可能性。本文拆解了原文本,对各个情节的关系进行了分析,得出了以下结论:大江在运用侦探小说叙事规则的基础上还进行了突破,创造出了一种独特的叙事模式;为了使这种新的叙事模式顺利运作,大江还设计了“双重真假错位”,并运用在了之后的小说人物塑造上。In The Silent Cry,the murder case involving Takashi and the rebellion in 1860 are both needed to expose the truth.That makes it possible to analyze the narrative of the text in a way specific to detective novels.This paper deconstructs the text and analyzes the relationship of the key plot to draw the following conclusions:Kenzaburo Oe created a new narrative way based on detective novels;he also designed a"double malposition"for the new narrative way and the creation of characters.

关 键 词：大江健三郎 侦探小说 叙事 错位 

分 类 号：I313.074[文学—其他各国文学]