沈德符《顾曲杂言》的戏曲论——以其对杂剧、北曲、南曲之“顾”为研究重点  

SHEN Defu's Drama Idea in Gu Qu Za Yan: Focus on Zaju,Northern Tunes and Southern Tunes

作　　者：王辉斌[1] WANG Huibin

机构地区：[1]湖北文理学院文学院,湖北襄阳441053

出　　处：《重庆第二师范学院学报》2019年第3期55-59,128,共6页Journal of Chongqing University of Education

摘　　要：沈德符的《顾曲杂言》是明代万历后期一部专论杂剧、北曲、南曲的戏曲论著,因其具有"立说颇为精准"等特点为四库馆臣所称道。该书论金、元杂剧,以推崇本色派作家作品为其审视,于明代杂剧的评价,则重在当行与本色方面。崇尚北曲中的俚俗小令,力主南曲"不入弦索",并对本朝的南曲作家作品进行了较公允之品评。《顾曲杂言》也存在不少值得注意的问题,如引书错误、结论互为抵牾等。SHEN Defu’s Gu Qu Za Yan is a drama monograph on Zaju,Northern Tunes and Southern Tunes in the late Wanli period of Ming Dynasty. The book was admired by the editors of Si Ku Quan Shu as its point was very accurate. About Zaju in Jin and Yuan dynasty,it mainly praised the important authors and their works. It was very authentic in the judgment of Zaju in Ming Dynasty. Gu Qu Za Yan held in high esteem in the vulgar short tonal tune in Northern Tunes,and mentioned that Southern Tunes didn’t use music instrument. SHEN Defu’s argument on the writers and their works of his own Dynasty was fair and just. Gu Qu Za Yan also had some flaws such as quotation of wrong books,contradictory conclusions and so on.

关 键 词：沈德符 《顾曲杂言》 当行本色 

分 类 号：I206.2[文学—中国文学]