“人民”内涵的变化及其对文学的影响  

The Changing Connotation of “Renmin” (People) and Its Impact on Literature

作　　者：赵炎秋[1] Zhao Yanqiu

机构地区：[1]湖南师范大学文学院

出　　处：《中国文学批评》2019年第2期116-128,160,共14页Chinese Journal of Literary Criticism

基　　金：国家社科基金重大项目“中国特色文学理论建构的历史经验研究”(18ZDA278)阶段性成果

摘　　要：在现代中国马克思主义文艺思想发展的不同时期,“人民”这一概念的内涵是不断发展和变化的,不同时期中国共产党领导人的人民观念构成了中国马克思主义文艺思想中“人民观”的重要组成部分。当今,习近平的人民观念是在一个更加开放的中国社会的基础上构建的,包涵了更广的国际视野、更高的国际格局,既包括了全民,又注意了个体。不同的人民观念对不同时期的文学艺术产生了不同的影响。20世纪早期提倡革命文学和无产阶级文学,文学重视描写工人与市民;延安时期和新中国成立初期,文学重视乡村与农民,强调人物的阶级属性;新时期文学风格、流派的繁荣;新时代文学的内容和形式、思想与人物的新变,都与“人民”内涵的发展和变化有关。The connotation of the concept“renmin”(people)has changed continuously at various stages of Marxist literary thoughts.Precisely,the CPC leaders’interpretations of“people”of successive generations have become the major constituent of“the view of people”in Chinese Marxist literary thought.President Xi Jinping’s view of“people”is based on a more open-minded society,which incorporates a broader international outlook.It effectively concerns the entire people,and in the meantime,the individuals.Different views of“people”have influenced literary and artistic production of different periods.In the early years of the twentieth century,revolutionary literature and proletariat literature were propagated,and literature at that time was keen to portray workers and city residents.During the Yan’an period and the early years of the new China,literary creation paid special attention to the countryside and peasants,emphasizing the class the characters belong to.The more diversified literary styles and genres in the 1980s,as well as the changes in literary form,content and thought in the new era,are in tune with the renewed interpretation of“people”.

关 键 词：马克思主义文艺思想 人民 文学 

分 类 号：I200[文学—中国文学]