新题乐府的兴盛与消歇——对由唐而清千年新乐府的观照  

The Rise and Fall of New Yuefu——A Study on the Millennium New Yuefu from Tang to Qing Dynasties

作　　者：王辉斌[1] Wang Huibin

机构地区：[1]湖北文理学院文学院

出　　处：《中华文化论坛》2019年第3期65-72,156,共9页Journal of Chinese Culture

基　　金：国家社科基金项目“中国乐府诗批评史”(项目编号:11BZW072)阶段性成果

摘　　要：肇始并兴盛于唐代的新题乐府(新乐府),在经历了“元白”时代之后,便演变为四种类型,即“即事类乐府”“歌行类乐府”“宫词类乐府”“竹枝类乐府”。在由唐而清的历史长河中,“即事类乐府”的某些功能、特点等,不仅渐为“歌行类乐府”所替代,而且于明末清初之际消歇殆尽。“歌行类乐府”在宋、元、明三朝,名家辈出,佳作如林。“宫词类乐府”与“竹枝类乐府”,则以参与创作的诗人之多、成果之众、特色之鲜明,而构成了明清新乐府史上最为绚丽的两道风景线。The new theme Yuefu(new Yuefu), which originated and flourished in the Tang dynasty, evolved into four types after the "Yuanbai" era, namely "narrative Yuefu", "song-singing Yuefu", "musical tune Yuefu" and "zhuzhi(bamboo-lyric) Yuefu". In the long history from Tang to Qing Dynasty, some functions and characteristics of "narrative Yuefu" were not only gradually replaced by "song-singing Yuefu" but also faded away at the end of Ming Dynasty and the beginning of Qing Dynasty. In the dynasties of Song, Yuan and Ming, there were many famous Yuefu writers and Yuefu works. "Musical tune Yuefu" and "zhuzhi(Bamboo-lyric) Yuefu" became the two highlights in the history of the new Yuefu in the Ming and Qing dynasties, thanks to the big number of poets with valuable creativity, impressive achievements and distinctive features.

关 键 词：新题乐府 四种类型 由唐而清 异军突起 

分 类 号：I206[文学—中国文学]