论宫泽贤治童话中的“和”意识  

Consciousness of Harmony in Kenji Miyazawa’s Fairy Tales

作　　者：杨君[1] 杨玲[2] YANG Jun;YANG Ling(School of Foreign Languages,Chongqing University of Arts and Sciences Chongqing Yongchuan 402160;School of Japanese Studies,Sichuan International Studies University Chongqing Shapingba 400031)

机构地区：[1]重庆文理学院外国语学院,重庆永川402160 [2]四川外国语大学日语系,重庆沙坪坝400031

出　　处：《江南大学学报（人文社会科学版）》2019年第3期74-78,127,共6页Journal of Jiangnan University：Humanities & Social Sciences Edition

基　　金：重庆市教育委员会人文社会科学研究项目“日本当代生态文学的现代价值研究”(16SKGH169)

摘　　要：宫泽贤治(1896-1933)是日本家喻户晓、妇孺皆知的童话作家和诗人,他的童话被认为是日本文学上独特的存在。文章试图通过分析其虚构的童话世界来探求宫泽贤治文学中所充溢的"和"意识及形成缘由。宫泽贤治一生都在追求人与自然的和谐共生,主张人与人之间和谐相处。文章对其童话文学进行详细的文本分析,挖掘宫泽贤治在童话中所想表达的"和"意识。这种审美意识来自宫泽贤治的个人无意识。日本国民自古以来形成的"和"意识被宫泽贤治继承并体现在童话中,具体来说体现了来自日本传统文化的调和统一的国民性格。Kenji Miyazawa(1896-1933) is a well-known writer in fairy tales and a poet in Japan.His fairy tales are considered as a special existence in Japanese literature.This paper attempts to explore the consciousness of harmony in Kenji Miyazawa's literature and the reasons for the formation of this kind of consciousness through his imaginary fairy tale world.Kenji Miyazawa is pursing harmonious symbiosis between man and nature throughout his life,and advocates the harmony between people.This paper will thoroughly analyze the texts of his fairy tales in detail and reveal the consciousness of harmony in his fairy tales.This aesthetic consciousness comes from Kenji Miyazawa's personal unconsciousness as his special experiences and psychological unconsciousness help him choose consciousness of harmony.Kenji Miyazawa's fairy tales inherited and embodied the consciousness of harmony which has formed since ancient Japan and presents the harmonious national personality of Japanese.

关 键 词："和"意识 个人无意识 调和统一 国民性 

分 类 号：I313.88[文学—其他各国文学]