论普鲁斯特小说美学与视觉艺术的融合  

On the Fusion of Proust’s Novel Aesthetics and Visual Arts

作　　者：刘海清[1] LIU Haiqing(School of Foreign languages, Renmin University of China, Beijing 100872)

机构地区：[1]中国人民大学外国语学院法语系

出　　处：《中国人民大学学报》2019年第3期143-151,共9页Journal of Renmin University of China

基　　金：国家社会科学基金项目“法国小说建构与绘画美学交汇史”(11CWW019)

摘　　要：普鲁斯特的《追忆似水年华》以不计其数的视觉意象和造型形式来塑造人物形象、建构小说场景和表达生命感知,绘画、建筑、摄影、服饰等艺术符号都具有重要的隐喻功能和启示意义,其中对图像艺术的参照成为叙述者追寻逝去时光、探寻人生历程和展现心灵世界的重要途径。该巨著中的人物和事物被迁移到视觉艺术的永恒审美视野中,时间和记忆被设想成一系列空间画面形式,从而缔造了一部融合丰富情感体验、美学感悟和哲学寓意的"艺术小说"。In Proust’s In Search of Lost Time,countless visual images and art forms are used to portray images,construct scenes and express perception of life.Art symbols,such as painting,architecture,photography and costume,have essential metaphoric function and enlightenment significance,of which the references to image art become primary pathways to pursue lost time,explore the course of life and reveal the spirit world.The characters and things of this masterpiece are transferred to the eternal aesthetic vision of visual art,meanwhile time and memory are conceived as a series of spatial images.Therefore,an "art novel"with rich emotional experiences,aesthetic insights and philosophical implications was created.

关 键 词：普鲁斯特 视觉记忆 摄影机制 绘画参照 艺术隐喻 

分 类 号：I565.074[文学—其他各国文学]