跨民族文化传播视野下“奇观”的消解——以《图雅的婚事》为例  

The Dissolution of "Spectacle" from the Perspective of Intercultural Communication——Taking "The Wedding of Tuya" as an Example

作　　者：王飒 WANG Sa(School of literature,Fuyang Normal College,Fuyang 236037,Anhui,China)

机构地区：[1]阜阳师范学院文学院

出　　处：《黔南民族师范学院学报》2019年第2期24-27,45,共5页Journal of Qiannan Normal University for Nationalities

摘　　要：以少数民族为题材的电影往往因耽溺于对少数民族奇观的猎取、对民族风情的过度展示,以及主创过于个人的表达等问题违背电影艺术规律而难以走向主流电影市场。《图雅的婚事》没有留恋勾勒民族风情滥用文化符号和意象、没有陷入把民族传统和现代性进程这一矛盾的二元对立处理的表述模式,而是以平视的视角在错综复杂的生活与纷繁交错的文化背景中去探索人类的普遍性,消解掉部分"民族奇观"制造的文化隔膜,在多民族文化中架起一座共感桥梁。For a long time,films based on ethnic minorities are often difficult to move into the mainstream movie market because of the hunger of the spectacle of ethnic minorities,the excessive display of ethnic customs,and the over-individual expression of the main creations."Tuya′s Marriage" does not have a nostalgic expression of the cultural symbols and images of national customs,and does not fall into the paradigm of binary opposition to the contradiction between the national tradition and the modernity process,but in a complicated perspective of life and complexity.In the interlaced cultural background,this paper explores the universal of human beings,eliminates the cultural barriers created by some "national wonders",and builds a bridge of common sense in multi-ethnic culture.

关 键 词：《图雅的婚事》 王全安 民族传统 现代性 

分 类 号：J905[艺术—电影电视艺术]