论西湖小说“于祠祈梦”现象的民族文化渊源与交融  

A Study of the National Cultural Origins of Praying for Blessing by YuQian's Temple in West Lake Novels

作　　者：代智敏 胡海义[2] DAI Zhi-min;HU Hai-yi(Guangdong University of Finance and Economics,Guangzhou,Guangdong 510320,China;College of Literature,Hunan Normal University,Changsha,Hunan 410081,China)

机构地区：[1]广东财经大学人文与传播学院,广东广州510320 [2]湖南师范大学文学院,湖南长沙410081

出　　处：《贵州民族研究》2019年第3期105-109,共5页Guizhou Ethnic Studies

基　　金：广东省哲社项目"明清小说选本研究(项目编号:GD14XZW02);湖南省社科评审委项目"古代西湖小说与文学地理研究"(项目编号:XSP18YBZ026)的阶段性成果

摘　　要：西湖小说以浓郁的地域色彩在中国文学史上独树一帜,其中的"于祠祈梦"现象尤其令人瞩目。其源于四川氐羌民族文化中的梓潼神信仰。氐羌民族文化从背景、现实原型、"善板祠"特色与宗教传播因素四个方面对梓潼神产生了深刻影响。到了南宋,梓潼神的影响逐渐从氐羌文化圈扩大到汉文化占主导的地区,尤其是东传到杭州,影响倍增,成了民族文化交融的典范,最终孕育出"于祠祈梦"的风俗。Praying for blessing by YuQian’s Temple was a kind of traditional religious ceremony that existed in West Lake Novels, and its origin can dated back to the national cultural of DIQiang cultural characteristic. Zitong was the god in folk religious, This phenomenon of blessing ceremony of Qiang national can be found everywhere in the west novels in Ming and Qing dynasty which shows that DiQiang national culture was deeply influenced. The style has been disseminated widely,and maintains the closest relationship with the national culture of praying for blessing by YuQian’s Temple.

关 键 词：西湖小说 于祠祈梦 于谦 氐羌文化 

分 类 号：I207.41[文学—中国文学]