在浪漫与反浪漫中建构完美的世界——考琳·麦卡洛小说的生态审美  

Build a Perfect World in Romance and Anti-romance:The Ecological Aesthetics of Colleen McCullough's Novels

作　　者：徐梅[1,2] 刘久明[1] XU Mei;LIU Jiu-ming(Department of Chinese Language and Ijterature, Huazhong University of Science and Technology, Wuhan 430074, China;Teaching Supervision Center, Northern Beijing Vocational Education Institute, Beijing 101400, China)

机构地区：[1]华中科技大学中文系,湖北武汉430074 [2]北京京北职业技术学院教学督导中心,北京101400

出　　处：《湖南科技大学学报（社会科学版）》2019年第3期39-44,共6页Journal of Hunan University of Science and Technology(Social Science Edition)

基　　金：中央高校基本科研业务费专项基金;华中科技大学自主创新基金文科重大交叉项目(2017WKZDC016)

摘　　要：浪漫主义自然观和工具主义自然观的冲撞在澳大利亚作家考琳·麦卡洛的作品中表现为浪漫/反浪漫的纠葛,拥有浪漫情怀而又饱经各种创伤的考琳·麦卡洛在对自然主题进行表达时,表现得浪漫而又反浪漫,她在对自然进行浪漫主义想象的同时,又对浪漫主义自然观进行了反拨。在反浪漫的基础上,她对人与自然之间的关系、阶级、种族、身份追寻等问题进行生态学意义上的审视和思索,建构了一个完美的世界。The collision between Romantic and Instrumental outlooks of nature is manifested in the Australian writer Colleen McCullough’s works as a romantic/anti-romantic entanglement. Colleen McCullough,with her romantic feelings and various traumas,expresses the theme of nature in a romantic and anti-romantic way. While she imagines the nature in a romantic way,she also backwashes the Romanticism outlook of nature. On the basis of anti-romance,she examines and ponders ecologically on the relations between man and nature,class,race and identity pursuit,and constructs a perfect world.

关 键 词：考琳·麦卡洛 浪漫 反浪漫 自然观 生态审美 

分 类 号：I106.4[文学—世界文学]