禅、后现代与卡夫卡的《思想者》  

Zen,Post-Modernism and Kafka′s The Thinker

作　　者：董璐[1] DONG Lu(School of Foreign Languages,Yan′an University,Yan′an 716000,Shaanxi)

机构地区：[1]延安大学外国语学院

出　　处：《延安大学学报（社会科学版）》2019年第3期13-16,共4页Journal of Yan'an University (Social Sciences Edition)

摘　　要：卡夫卡的绘画天赋与禅、后现代有着密切关系。他的绘画作品《思想者》通过使用字母变形、剪影效果和黑白颜色等基本的绘画技巧,表现了禅宗"反传统""反概念""反二元对立"的思想,实际是卡夫卡"变形"文艺观的再现,也是后现代美学思想"否定性"的集中体现。Kafka′s painting talent is closely related to Zen and Post-modernism.Through the use of basic painting techniques,such as letter distortion,silhouette effect and black-and-white color,his painting The Thinker expresses Zen′s thought of "anti-tradition","anti-concept"and "anti-binary opposition".In fact,it is the reproduction of Kafka′s "distortion" literary and artistic view and the concentrated reflection of "negativity" of postmodern aesthetic thought.

关 键 词：禅 后现代 卡夫卡 《思想者》 

分 类 号：I106[文学—世界文学]