环太湖地区蚕桑音乐形态与生产劳动关系研究  

A Study on the Relation between Silkworm Music Form and Labor Economy in the Region Around Taihu Lake

作　　者：毛云岗[1] MAO Yungang(Art college,Huzhou University,Huzhou 313000,China)

机构地区：[1]湖州师范学院艺术学院

出　　处：《湖州师范学院学报》2019年第5期91-95,共5页Journal of Huzhou University

基　　金：浙江省2018年度哲学社会科学规划课题“环太湖地区传统蚕桑音乐研究”研究成果(18NDJC073YB)

摘　　要：环太湖地区是中国负有盛名的蚕桑农业区。在近五千年的历史发展长河中,作为文化一员的环太湖地区桑蚕音乐,经历了一代又一代的传承,从未中断。以民间蚕桑音乐的主要音乐形态与生产劳动关系为研究对象,填补环太湖地区民间蚕桑音乐领域研究的空白,并进一步认识其文化意义,以推动这一音乐类非物质文化遗产项目的保护与传承工作。通过对民间蚕桑音乐与生产劳动关系的梳理,可以提炼、把握艺术与生活、艺术与经济的双向互动发展规律。The area around Taihu Lake in the south of the Yangtze River is a well known sericulture agricultural area in China. In the long history of nearly five thousand years, the sericulture music in the area around Taihu Lake, as a member of culture, has experienced succession from generation to generation, and has never been interrupted. In this paper, the main musical forms of the Han nationality sericulture music and the relationship between production and labor are taken as the research object, which fill the gap in the field of the Han nationality sericulture music around Taihu Lake area, improving further understanding of its cultural significance and promoting the protection and inheritance of this music intangible cultural heritage project. By sorting out the relationship between sericulture music and production and labor of the Han nationality, we can refine and grasp the two way interactive development patterns of art and life, as well as art and economy.

关 键 词：环太湖地区 蚕桑音乐形态 生产劳动 关系 艺术与经济 

分 类 号：J607[艺术—音乐]