基于“眼前有画”的红砖美术馆分析  

ANALYSIS OF THE RED BRICK ART MUSEUM BASED ON “PAINTING IS IN FRONT OF EYES”

作　　者：张丽媛 唐文静 郑晓军[1] ZHANG LIYUAN;TANG WENJING;ZHENG XIAOJUN

机构地区：[1]河南农业大学林学院

出　　处：《设计》2019年第9期60-63,共4页Design

基　　金：国家自然科学基金项目资助(41401206)

摘　　要：为了证明中国传统园林追求的不仅是“眼前有景”更是“眼前有画”。从景与画的区别出发,辨析了“眼前有景”与“眼前有画”的不同,分析了“眼前有画”在红砖美术馆中的体现。证明了传统园林追求的最高境界应当是“眼前有画”。理解“眼前有景”与“眼前有画”的差别,能够更好地传承中国传统园林以及更好地营造和欣赏现代园林。In order to prove that Chinese traditional gardens pursue not only"Scenery is in front of eyes"but also the"Painting is in front of eyes".Starting from the difference between scenery and painting,this paper differentiates and analyses the difference between"Scenery is in front of eyes"and"Painting is in front of eyes",and the embodiment of"Painting is in front of eyes"in the Red Brick Art Museum.It is proved that the highest realm pursued by traditional gardens should be"Painting is in front of eyes".Understanding the difference between"Scenery is in front of eyes"and"Painting is in front of eyes"can better inherit traditional Chinese gardens and better build and appreciate modern gardens.

关 键 词：眼前有景 眼前有画 景 画 红砖美术馆 

分 类 号：J59[艺术—艺术设计]